In the studio...

Earlier this week, I was in the studio with Melissa Livingston printing a passage by George Bernard Shaw so she could get her remaining hours for certification.

Melissa inking up the Universal:

Her first color:

Her inked photopolymer plate for her second color:

And the resulting print (this beautiful initial cap was made from one of the files available at Briar Press):

Obligatory drying rack shot (doesn't everything look great on the drying rack?):

The extra fun part was that it was Melanie was teaching Jeremy Lin how to use the C&P at the same time!

Members Only Workshop

On January 28, we held our first Members Only letterpress workshop! This workshop was a part of a series of monthly workshops that are free to a limited number of Pyramid Atlantic members (registration is on a first-come, first-served basis). For our workshop, Leslie had the idea to have people scratch designs into negatives to create their own homemade polymer plate for printing on the Vandercooks.

Unfortunately, I was a little busy during the first half of the workshop and forgot to take pictures. Here are the few action shots that I did get!

I love Leslie's expression in this photo as she's making rounds checking on people scrubbing their exposed polymers:

And here are some photos of the prints that were made. We inked up the presses with Pantone Warm Red and Process Blue and had a variety of papers available to choose from.

A lovely heart design made by Melissa Livingston, printed on handmade paper:

Dawn Hershberger's design, printed on wheat-colored Canson Edition:

A really interesting design, also printed on wheat Canson Edition. I didn't catch the name of the artist:

Clare Winslow's space-inspired print, on handmade paper:

Gary Arlen's print on champagne Canford card:

Bonnie Lee Holland's print on French Muscletone Kraft paper next to her scratched negative:

A photo showing the three stages of Juraj Mihalik's design:

Marj Hollis's turtle. Originally, two of the flippers didn't show up because the lines were scratched too thinly on the negative. Luckily, Marj had time to go back and scratch a little more into the negative and make a second plate:

Morgan Ward's self-portrait on Stonehenge:

Here's the same plate printed on bright red Canford cardstock (though the photo doesn't really do it justice!)

Unfortunately, I wasn't quick enough to get everyone's prints before they left. But overall, I think everyone had a great time and came away with some pretty amazing prints!

More workshops:

• To be attend these free monthly workshops, you must be a Pyramid Atlantic member. Sign up here! The next Members Only workshop will be on Friday, February 25 (topic TBA).

• Check out the schedule of our other letterpress workshops here!